Centaur
In Greek mythology, the centaurs (Greek: ΚÎνταυÏοι) are a race of creatures composed of part human and part horse. In early Attic vase-paintings, the head and torso of a human joined at the (human's) waist to the horse's withers, where the horse's neck would be.
This half-human and half-animal composition has lead many writers to treat them as liminal beings, caught between the two natures, embodied in contrasted myths, of centaurs as the embodiment of untamed nature, as in their battle with the Lapiths, or conversely as teachers, as Chiron.
The Centaurs are best known for their fight with the Lapithae, caused by their attempt to carry off Hippodamia, and the rest of the Lapith women, on the day of her marriage to Pirithous, king of the Lapithae, himself the son of Ixion. The strife among these cousins is a metaphor for the conflict between the lower appetites and civilized behavior in humankind. Theseus, who happened to be present, a hero and founder of cities, threw the balance in favor of the right order of things, and assisted Pirithous. The Centaurs were driven off or destroyed. Another Lapith hero, Caeneus, who was invulnerable to weapons, was beaten into the earth by Centaurs wielding rocks and the branches of trees.
Like the Titanomachy, the defeat of the Titans by the Olympian gods, the contests with the Centaurs typify the struggle between civilization and barbarism.
Amongst the Centaurs, the most famous individuals were Nessus, Chiron, Pholus and Eurytion, all of which featured in the stories of Heracles. Another pair named Hylaeus and Rhoetus were destroyed by the heroine Atalanta when they attempted to assault her in the wilderness.
The most common theory holds that the idea of centaurs came from the first reaction of a non-riding culture, as in the Minoan Aegean world, to nomads who were mounted on horses. The theory goes that such riders would appear as half-man, half-animal. (Bernal DÃaz del Castillo reported that the Aztecs had this misapprehension about Spanish cavalrymen.) Horse taming and horseback culture evolved first in the southern steppe grasslands of Central Asia, perhaps approximately in modern Kazakhstan.
The Lapith tribe of Thessaly, who were the kinsmen of the Centaurs in myth, were described as the inventors of horse-back riding by Greek writers. The Thessalians tribes also claimed their horse breeds were descended from the centaurs.
Of the various Classical Greek authors who mentioned centaurs, Pindar was the first who describes undoubtedly a combined monster. Previous authors (Homer etc) only use words such as Pheres (Beasts) that could also mean ordinary savage men riding ordinary horses. However, contemporaneous representations of hybrid centaurs can be found in archaic Greek art.
The armchair anthropologist and writer Robert Graves speculated that the Centaurs of Greek myth were a dimly-remembered, pre-Hellenic fraternal earth cult who had the horse as a totem. A similar theory was incorporated into Mary Renault's The Bull from the Sea.
The Greek word kentauros could be etymologized as ken - tauros = "piercing bull". Another possible etymology can be "bulls slayer". Some say that the Greeks took the constellation of Centaurus, and also its name "piercing bull", from Mesopotamia, where it symbolized the god Baal who represents rain and fertility, fighting with and piercing with his horns the demon Mot who represents the summer drought. (In Greece, Mot became the constellation of Lupus.) Later in Greece, the constellation of Centaurus was reinterpreted as a man riding a horse, and linked to legends of Greece being invaded by tribes of horsemen from the north. The idea of a combined monster may have arisen as an attempt to fit the pictorial figure to the stars better.
Alexander Hislop in his book The Two Babylons theorized that the word is derived from the Semitic Kohen and Tor via phonetic shift the less prominent consonants being lost over time ,with it developing into Khen Tor or Ken-Tor, and being transliterated phonetically into Ionian as Kentaur.
Centaurs have appeared many times and in many places in modern times, in for example Artemis Fowl, Avatar's Perdition: Black Sword Chronicle, Fantasia, the Narnia books (as well as in the movie adaptation of its first novel, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe), Hercules: The Legendary Journeys, The Golden Voyage of Sinbad, Xena: Warrior Princess, Harry Potter, Clash of the Titans and the trilogy Titan, Wizard, Demon and they also featured prominently in the Xanth series. Additionally, the Centaur Inn was the hotel in Shakespeare's The Comedy of Errors.